Writing Skills: Providing context

Bookshelf

When we write for an audience, providing readers with context is often integral to a story (occasionally, some of us write for ourselves and inherently recognize the context of what we’re writing about…..). Many times, context makes the story – drawing in the reader.

In journalism studies – and in our high school writing classes (mine, anyway) – would-be writers learn to impart who-what-when-where-how-why to one’s audience. Communicating the who or what – the topic – is usually straightforward enough. Bringing the subject to life by providing context makes writing worth reading.

There are people – myself included – who like to deduce or infer context when we are told something verbally (“If B, then A and C”). Those of us who enjoy this mental work have to recognize that this thinking style isn’t auto-pilot – or pleasant – for everyone. We therefore have to remember to lay out context when communicating. I’m inclined to think that this forced effort makes us better writers by virtue of consciously learning to take our readers desire for context into account. Actually, all writers have their own communication style is specific to their temperament and need to learn to recognize – and account for – reader needs when writing for an audience….. A truly well-trained writer is one who we love to read specifically because we enjoy the writing style they have cultivated….

Sometimes, context is broadly viewed as self-evident. Stand-up comics often deliver jokes such that the context is thought to be self-evident and – therefore – funny. For example, “I wouldn’t want to be the fish in this photo.”

cat looking at fish

Usually, however, the work of setting up context is the writer’s responsibility. In journalistic parlance, the writer doesn’t just deliver the “what” of a story. Where did this happen? Who was involved and where did it happen? How did it occur? If the context of “why a story matters” won’t likely be self-evident to the reader, the why needs to be incorporated into a story. The “why” is where we writers get to be creative in our communications.

In the following photo, it is self-evident that this is a night scene of a city’s downtown skyline (“what”). A curious viewer might want to look for clues to identify which city is being viewed (in this particular photo, the tall, thin building to the right and the downward reflection of light identifying water are clues of the city’s identity). However, I generated more interest in this photo when I explained to an audience that I took this photo during my daily commute to a job for which I would leave home before daylight to avoid heavy rush hour traffic along Seattle’s I-5 corridor and that I had to find an appropriate place to pull over to take this photo. Providing my audience with context about my work life and indicating that I had the wherewithal to recognize a camera-worthy scene during my morning commute made the photo more interesting.

Seattle skyline at night

Providing context well when writing – while also recognizing how much not to tell so that the reader can draw their own ideas – is crucial in moving beyond typing to quality writing. Burkhardt Writing Services is available when you need a good writer.

Kim Burkhardt provides writing services – including ghostwriting, “corporate storytelling,” articles, how-to manuals, and editing – at Burkhardt Writing Services. Contact us about your wordsmithing and storytelling needs.

Writer’s approaches to developing written content

Last week, the Textbook & Academic Authors Association published a helpful blog post directed at new (or newish) writers about dealing with a blank screen. The blog post is worth reading.

If you are a writer, what is your writing methodology?

I have several approaches to putting words to paper. Each has a time and place:

  • When I wrote my first book, Competitive Intelligence Workbook (2001), I was seeking a way to “make a name for myself” as a market research consultant. I scanned the existing literature about competitive intelligence to identify what type of book hadn’t been written. I identified that there was no book about how to organize and present competitive intelligence data. So, I wrote such a book. I thought through what types of competitor data needs to be collected by competitive intelligence (CI) professionals and created topical charts that could be populated as data is collected with the end goal of analyzing and presenting data as it is collected. The books’ purpose dictated the writing process. The book served a need; therefore, I made a profit on that book.
  • In another instance, I found a distant cousin who had been doing family genealogy for twenty years. He hadn’t organized the data he had collected into a centralized format. When relatives would ask him for family history data, he would – in each case – share information on a piece-by-piece basis. I wanted to save him time and effort of continuing to repeat this process with additional relatives, so I started organizing the data he had collected into a single repository. As I worked through this process, I saw the opportunity to take linear, timeline data and incorporate a narrative discussion into the mix. “Here’s why our ancestors were living in this location during X time period.” “This relative was able to move from job to job during the 1860’s because Ireland’s new railroad system was emerging to allow easier travel” (this was before automobiles). As I contacted other relatives, they shared family stories, old photographs, historical family letters that had been kept – all of this was added to “bring the family history to life” in a genealogy book that is now appreciated in the homes of numerous relatives.
  • Sometimes, I write creatively – inserting ideas into a document as the creative process unfolds. In these cases, I write in a rather free-style approach and then find ways to make all of the various ideas readable in a collective document.
  • When I write something short – such as an email – I think about what the recipient needs to know and how I can present the information succinctly and in a readable manner. I want to hold their attention. I focus on sharing (or requesting) information – get to the point and keep it simple. When I write an article, I consider how to write informatively and to-the-point using a style that is engaging, and authoritative.

I always think about the reader when I write. What does the reader likely to already know about a topic? What does the reader need to know (that’s what I need to write!)? What writing format and style is going to hold the reader’s attention? A facts-and-figures document is going to be written very differently than a novel or a humorous anecdote for a news story. Always: “Is what I’m writing readable? Why and how? How can I improve this document?” Making text readable is the responsibility of the writer – it’s not the job of the reader to figure out what the writer meant!

Kim Burkhardt provides writing services – including ghostwriting, “corporate storytelling,” articles, how-to manuals, and editing – at Burkhardt Writing Services. Contact us about your wordsmithing and storytelling needs.

Writer’s Skill: Incorporating perspective

Mountains, clouds
Mountains with low-lying clouds

I currently live just over one hundred miles from where I grew up.

When I drive from south of Seattle to my hometown of Bellingham, Washington, my favorite part of the scenic drive is the commonly-occurring mountain-level clouds in Skagit and Whatcom Counties.

I recognize now that locals in Whatcom and Skagit counties likely take these clouds for granted.  I did while I was growing up.

Now that I live a two hour drive away (when traffic’s not bad!), I live just far enough away to not have these low-lying clouds be a daily (or near-daily) occurrence.  Thus, I now notice them as a locally distinct event when I go home.  They are visually engaging.

A good writer does the same thing when writing – noticing and/or developing perspective – and then using descriptive narrative – to incorporate that perspective into the written word.

When written text lacks perspective, the reader will notice the text only in observing that what they are reading is not worth reading.  They may not know that perspective is what’s missing, but they won’t want to continue reading.  It is incumbent upon the writer to identify perspective and incorporate it into the text.

Providing perspective – among a host of skills involved in understanding the world and one’s audience – is necessary for the writer who wants an audience.

Kim Burkhardt provides writing services at Burkhardt Writing Services. Contact us about your wordsmithing needs.